Soundfly partners with leading edge music education sites and services to bring you unique tips, tools, and stories to empower and inspire our community to find their sound.
Our Soundfly Mentorship program is built on our belief that accountability and guidance can have a huge impact on helping students reach their goals and develop their musical identities. We currently offer mentorship with seven courses, including those mentioned earlier, as well as a Beta program called the Headliners Club. Our mentors are passionate, experienced musicians with a shared love of personalized learning and artistic curiosity.
Join us as we recap a year of incredible online learning with our run-down of the best Soundfly student works of 2018! Want in? Mainstage starts next week.
This international residency program is open to artists across many mediums for one- to three-month long residencies. Artists are given lodging and studio space on a remote island off the northeast coast of Newfoundland, as well as a weekly stipend for materials and day-to-day living. Be prepared to put on your public speaking hat though, as artists are required to give at least one presentation, performance, or workshop during their stay. Residencies open every two years.
Mix buss compression is a great way to add a little bit of excitement and glue to your mix. Some people like to slap it on the master buss after they have mixed it (Ryan West for example, whose credits include Jay-Z, Eminem, Kid Cudi, Maroon 5, T.I., Rihanna, and Kanye West). And some engineers like to slap a little bit of compression on in the beginning and mix through it. I don’t think there is a right or wrong way when it comes to when to put it on.
At age 16, Nicc Johnson began his career as a DJ with the dream of eventually working in the international electronic music hub of Ibiza, Spain. With an unprecedented level of drive and determination, he would exceed that goal shortly to become the resident DJ at Ibiza’s most famous club, Pacha, for seven years, and move on to consult for restaurants, curating and creating music for playlists all around the world.
Soundfly welcomes new voices each month to offer unique perspectives, shine a light on unexpected musical worlds, and help our readers find their sound.
First off, I have to shout out the director Zack Scott, as he deserves most of the credit there. Zack and I have been dear friends ever since high school, and when I came to him for help with that video, my ideas were very, very rough and unrealistic. He looked at the resources we had and came up with a great concept that was totally within reach, organized a crew of his friends in Austin, and even chipped in some money (no small amount, I might add!).
This is the bare minimum they seem to ask for, though we were ultimately asked to go back three or four. Basically, what they’re looking for is some sort of average that you make per year, which their number crunchers will put in a formula to figure out how much you can afford.
Door splits are pretty simple, I typically give the headliner 75% if there is only one opener, and 60% if there are two. Guarantees can be a bit more tricky. You’ll need to be pretty confident about a band’s past numbers in order to make sure you’re not left paying more than you earn at the door. Their booking agent should be able to give you an estimate of what they bring in locally, and so should the venue representative if they’ve worked with them before. But remember that marketing and promotion can also play a huge role in getting your numbers up (so we’ll cover that one below!).
Let’s try a different strategy. I said you should tune the B string a major third above G, but you could just as easily tune the B string a fifth plus an octave above the low E string. So let’s go ahead and multiply 1 Hz by 3/2, and then double it, which gives you a B at 3 Hz. Now the B string sounds terrific against the low E at 1 Hz and the high E at 4 Hz.
The type of sample or synth you use will also determine how you shape the line. When you compose, focus more on getting the right feeling than on being harmonically “correct.” Instead of aiming for complex note choices, experiment with your sound choices and maybe try some distortion so things sound grittier.
Not only does Vinyltryk seek to offer solutions to these problems, it’s also building an eco-friendly press which cuts down on electricity and recycles its cooling water.